The King Abdulaziz Center for World Culture (Ithra) presents Baseqat: The Palm Tree Exhibition, curated by Samer Yamani and Razan Masri and showcasing 15 works by 25 artists exploring the date palm as both a cultural emblem and a living legacy. Opening in Ithra’s Great Hall, the exhibition invites visitors to discover the rich heritage and contemporary relevance of this remarkable tree, connecting the worlds of ancient civilizations and modern society.
Baseqat: The Palm Tree Exhibition celebrates the date palm as a cornerstone of the Arabian Peninsula, shaping the cultural, economic and ecological landscapes of the region. Revered across civilisations for over 6,000 years, the date palm has provided food, shelter, building materials, medicine and craft, influencing daily life from Mesopotamia and ancient Egypt to Arabia and North Africa. Today, Saudi Arabia is home to over 33 million palm trees, making up 27 percent of all palms in the world. Situated in the Eastern Province a short distance from Ithra, the UNESCO-recognised Al-Ahsa Oasis alone hosts more than 2.5 million trees making it the largest date palm oasis in the world.
The name Baseqat is derived from a Quranic verse: “And towering palm trees loaded with clustered fruit” (Surah Qaf:10). This verse reflects the majesty of the date palm and its enduring impact, highlighting its role as a source of sustenance, shelter and inspiration across generations. It also informs the exhibition’s design, where palm wood, ropes and fibers form interconnected areesh-inspired spaces, each representing different facets of the palm tree’s cultural and material heritage.
Farah Abushullaih, Head of the Ithra Museum, said: “Baseqat: The Palm Tree Exhibition invites makers, families and young learners to take part in a rooted practice we continue to build together. In doing so, palm wisdom is carried hand to hand, generation to generation—renewing heritage through care, creativity and community-led continuity.”
The exhibition is organised into six thematic zones,Oasis, Roots, Trunk, Fronds, and Dates and the Lab for experimentation and hands-on workshops as well as an amphitheatre where filmmaker Mahmoud Kaabour’s short film documentary “Sa’fa” will be showcased. These themes are reinterpreted through contemporary works by Saudi and international artists, offering a dynamic dialogue between tradition and modernity.
Highlights include Fatimah Al Nemer (Saudi Arabia), who collaborated with craftswomen to createAl-Kar, a woven rug that transforms palm fibers into living memory. Mohamed Amine Hamouda (Tunisia) presents Bouhattam, a sculptural installation made from oasis waste that reflects on ecology and adaptation. Daniel Valero – Mestiz (Mexico) merges rural tradition and contemporary design in the palm-woven La Cabra Chair. Abdulla Buhijji and Noor Alwan (Bahrain) reimagine a folkloric ritual inToob Toob Ya Bahar. Yasmine Sfar and Mehdi Kebaier (Tunisia) showcase Tmar (Set of three hand-carved spheres). Shahira Fahmy (Egypt) unveils Lucida Restaurant and Bar Wall, a sculptural palm-leaf installation.
Further works include Sumaya Shelbi (Saudi Arabia) withPalm Ladies. Obaid Alsafi (Saudi Arabia), winner of the Ithra Art Prize sixth edition in 2023, presents his award-winning work Palm in Eternal Embrace, which reflects on climate change and resilience. Amina Agueznay (Morocco) presents Portal Variation #2, Gabriela Sagarminaga Roldán (Spain) exhibits Fish and Carolin Schelkle (Germany) contributes Wasted Treasure. The exhibition also features two works by Bashaer Hawsawi (Saudi Arabia), The Chain that Rebelled Against the Earth and Holy Thirst 4, exploring memory, belonging and the sacred value of handcraft.
The Khoos Initiative extends beyond Recognition Day and the exhibition to include a residency running between 3-14 October and artistic commissions by regional and international designers reinterpreting this timeless craft.
Press release from King Abdulaziz Center for World Culture (Ithra)
Image: Installation view of Baseqat: The Palm Tree Exhibition. Photography by Ahmed Al-Thani. Image courtesy of King Abdulaziz Center for World Culture (Ithra)
