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Tamara Campo. Blanco. 2019. Interactive installation.
Image courtesy of Havana Biennial 2019.
Photography by Shaldrián Gómez
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Liu Wei. Microworld. 2018. Aluminium plates. Installation view at the 58th International Art Exhibition – La Biennale di Venezia, May You Live In Interesting Times. Image courtesy of La Biennale di Venezia. Photography by Italo Rondinella
![](https://canvasonline.com/wp-content/uploads/2021/09/issue15-4-10-300x200.jpg)
Ludovica Carbotta. Monowe (The Terminal Outpost). 2017. Wood, iron, PVC, polyethylene, concrete.
Installation view at the 58th International Art Exhibition – La Biennale di Venezia, May You Live In Interesting Times. Image courtesy of La Biennale di Venezia.
Photography by Andrea Avezzù
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Various artists. Installation view of Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy: Mare Nostrum. Collateral Event of the 58th International Art Exhibition – La Biennale di Venezia, May You Live In Interesting Times. Image courtesy of the artists and the Brooklyn Rail. Photography by Samuele Cherubini
![](https://canvasonline.com/wp-content/uploads/2021/09/issue15-4-08-300x169.jpg)
Abdullah Al Othman. Cardiac Catheterization. 2018. Foil installation on old house. Image courtesy of the artist
![](https://canvasonline.com/wp-content/uploads/2021/09/issue15-4-07-300x200.jpg)
Zahra Al-Ghamdi. Accelerating Growth. 2018. 400 x 400 cm. Leather installation. Image courtesy of the artist and Athr Gallery
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Thu Van Tran. Penetrable. 2019. Painted walls: rubber and pigments. 60 m2 Galerie Rüdiger Schöttle at Art Basel 2019 in Basel. Image courtesy of Art Basel
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Daniel Silver. Liv and Marcel. 2018. Two Adel Rootstein mannequins and onyx. 180 x 75 x 56 cm. Frith Street Gallery at Art Basel 2019 in Basel. Image courtesy of Art Basel
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Montserrat Mesalles. Aquel que tiene esperanza (He who has hope). Image courtesy of Havana Biennial 2019. Photography by Shaldrián Gómez