Articles By: Osman Can Yerebakan

Elif Uras
Between two continents and dual methods of pottery, Elif Uras has honed a ceramic practice…
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Fertile Ground: Frieze London 2025
In a landscape where the distinctions between commercial and non-profit are gradually blurring, one benefit…
3 Min read
Against All Odds: Gaza Biennale in Brooklyn
Rootedness and displacement seem to be on a more precarious course now than ever, and…
3 Min read
nasa4nasa
nasa4nasa: Candelabras symbolise opulence and decoration across many cultures throughout the time. What fascinates you…
4 Min read
Athar Jaber
possibilities. Against the established myth of every stone hiding a singular form to carve, the…
4 min read
Re-shaping Art’s Feminine Histories: Independent 20th Century at the Battery Maritime Building
Launched by art dealer Elizabeth Dee more than 15 years ago, Independent Art Fair has…
3 min read
Art of Its Time and More: Group Show at CCS Bard’s Hessel Museum of Art
Art owes its resonance as an alternative outlet to history for its holistic embodiment of…
3 min read
The Power in a Tear: Bilgé at the Institute of Arab and Islamic Art
There is a balance of finish and infinity in Bilgé (Bilge Civelekoğlu Friedlaender)’s torn drawings….
3 min read
Slavs and Tatars
A purple-faced mulberry confidently declares no fruit “gives” as much as him, with punchy beats…
3 min read
Chaos and Calm: Ali Banisadr at the Katonah Museum of Art
The wind blows from all corners in The Alchemist, Ali Banisadr’s first survey exhibition in…
3 Min read
In Search of the Bygone: Group Show at CUE Art Foundation
Sun radiates its scorching amber hue in the group exhibition The Bride Has Gone to Pick…
3 min read
M’barek Bouhchichi
A few years ago, M’barek Bouhchichi was in an artist residency at a former settlement…
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